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West” ad-libs (instead of his usual “Showtime!”), a mark that this project is reflective of Kanye’s work as a whole, instead of one specific sonic influence, as he can be prone to do.
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He also makes reference to Late Registration and Graduation, with co-producer Swizz Beatz dropping “Wake up Mr. It closes with Nina Simone’s rendition of the Four Tops’ ‘Do What You Gotta Do’ - which Rihanna also sings on the hook - recalling his flip of ‘Strange Fruit’ on the similarly controversial ‘Blood on the Leaves’. Reggae influenced a chunk of Yeezus and this track pulls double-duty on bringing back references from that album. Employing Sister Nancy’s classic rumination on sexism in dancehall ‘Bam Bam’ could be an assertion that his Taylor lyrics are playing into the insidious misogyny within in the music industry, inescapable even when you’re at the peak of fame its use could also be about the dichotomous treatment of black and white stars of equal prominence - no matter what, it’s representative that someone is getting a bum deal.
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But there are nuances within the production worthy of equal examination. There is a lot to unpack with ‘Famous’, not least its headline-garnering lyric: “I feel like me and Taylor might still have sex / Why, I made that bitch famous”. (from Late Registration, Roc-A-Fella, 2005) Addressing his relationship with his father, the song is the bookends of his career laid out in one moment, but really, it’s just West lighting the fuse. It’s the classic soul Kanye used to make his name, set to lyrics about how he’s lost his own. Music signing wasn’t made public until after the album premiered.
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Barret and pairs it with ‘Panda’ by Desiigner, a rapper so fresh his G.O.O.D. ‘Father Stretch My Hands’ takes its name and foundation from Chicago local legend Pastor T. (from Do Not Pass Me By, Gospel Roots, 1976) But what are its samples? And what added meaning does each lend to Kanye’s seventh solo album? Read our deconstruction of Pablo’s samples, and scroll to the bottom for a playlist of them all. That list goes on with The Life Of Pablo, finally released this morning after a week of false starts. He’s sampled Public Enemy, Beenie Man, the Alan Parsons Project, Daft Punk, the Jackson Five, C-Murder, James Brown, Giorgio Moroder and more, putting his own distinct stamp on each. He’s turned Can’s ‘Sing Swan Song’ into his own ‘Drunk and Hot Girls’. This is nothing new for Kanye, of course. He’s previously transformed Chaka Kahn’s ballad ‘Through the Fire’ into a song about a near-death experience, rapped through wired-shut teeth. When it comes to samples, Kanye West is a master architect.ĭissect many of the songs on new album The Life Of Pablo and you’re reminded once again that, beneath his many layers of neurosis, there’s a music nerd with a near-unparalleled ear for taking obscure tracks and thrillingly repurposing them.